1. Introduction to the course
Extra 1 - Sharpening
2. Violin's Model
3. Inner mold
5. Ribs
-
5.1. - Shaping the corner blocks (24:58)
-
5.2. - Preparing the ribs (24:47)
-
5.3. - Bending the C bouts & glueing (21:27)
-
5.4. - Glueing the C - upper and lower blocks (22:28)
-
5.5. - Shaping corner blocks for upper and lower ribs (24:12)
-
5.6. - Bending and glueing the upper and lower bouts (21:51)
-
5.7. - Preparing the second side of our ribs (19:26)
-
5.8. - Glueing the other side of the ribs (9:29)
6. Lining Strips
7. Top And Back: Jointing, Marking and Cutting
8. Top and back arching
-
8.1. - Marking the the edge and starting to carve (22:51)
-
8.2. - Roughing out the archings: "la Sesta" (the 6th) (21:43)
-
8.3. - Roughing the arching: "le Quinte" (the 5th) (23:51)
-
8.4. - Cleaning the arching with the gauge (24:28)
-
8.5. - Finishing the top arching with arching plane (23:56)
-
8.6. - Finishing back arching with the arching plane (19:50)
9. The Outline
10. Purfling
-
10.1. - Purfling Introduction (22:55)
-
10.2. - Purfling cutter, Sample and Marking (24:14)
-
10.3. - Marking and Carving the Channel (23:23)
-
10.4. - Depth and Channel close by the Button (24:51)
-
10.5. - Lecture about the Ideal Purfling Corner (23:52)
-
10.6. - Cutting the Channel of the Corner (24:33)
-
10.7. - Bending the Purfling and Fitting the Corners (24:40)
-
10.8. - Fitting the C Purfling and Glueing (24:51)
-
10.9. - Glueing the Purfling (10:36)
11. Fluting
12. Finishing the Archings
13. Carving inside the Archings
14. F-holes
15. Finishing the inside - Thickness
16. Positioning the Bassbar
17. Fitting the Bassbar
18. Gluing the Bassbar
19. Refining the Edges
20. Finishing the Ribs
21. Gluing the Back onto the Ribs
22. Gluing the Top and closing the Body
23. Scroll: Model and marking
24. Cutting the Scroll
25. Marking the Pegbox and the volute of the Scroll
26. First Turn of the Scroll
27. Second Turn of the Scroll
28. Creating the Chamfer on the Scroll
29. Peg Box
30. Final Carving of the Scroll
31. The Scroll's Fluting
32. Leveling the Fingerboard
33. Shaping the Fingerboard
34. Final Touches of the Fingerboard Underside
35. Gluing the Fingerboard and Finishing it up
36. The Upper Nut
37. The Neck
38. Setting the Neck
-
38.1. - Neck Setting Theory (20:34)
-
38.2. - Marking the Measurements (20:38)
-
38.3. - First Cut of the Neck Setting (21:02)
-
38.4. - Which change causes what of the Neck Setting (20:35)
-
38.5. - How to get closer to the final Measurements (19:21)
-
38.6. - Double-checking and Going Deeper Inside (20:11)
-
38.7. - Final Fitting the neck Setting and Trimming the Neck Foot (19:46)
39. Upper Nut (also known as the Saddle)
40. Gluing the Neck and finishing the Violin in white
27 comments